The plugin has no way of knowing if those nodes might actually be useful harmonic information. The AI literally just applies one of 6 generic presets per instrument type and adjusts it to match a few resonant nodes. You can store your own graphs (they call them references) and EQ from the same plugin.Ĭurious why you think you wouldn't use Neutron? If it's about the AI the AI is hardly interesting, but the individual plugins are great. (It's kind of a PITA, but it will do it.) Blue Cate makes one that does too, as well as Hofa (which is kind of pricy for what it is.) The most simialr workflow overall would be Melda Mequalizer (paid version). Melda Manalyzer let's you store your own graphs for example. &0183 &32 It’s worth noting that in Tonal Balance Control 2, the low-end crest indicator is intelligent in that it is genre-dependent and compares your song against a look-up table based on the results of a neural net. If TBC really is all you're after I'd at least demo it 1st. Some people like it, I prefer a standard FFT analyzer which ultimately does the same job if you get to know it.) (But again, I find TBC a little awkward to work with. And you can make your own TBC curves by importing audio files. What is useful is the ability to create a little separation by EQing two conflicting instruments in opposite directions from one UI to, (instead of having to manage two separate EQs). And the factory graphs are generic meaning they're ok, but might not necessarily be ideal depending on the style you work in. I've tinkered with it and found it's the kind of plugin where you could chase your tail trying to make things match a graph. (Sculptor does add latency though, everything else doesn't.)Īlso TBC is meh. I use the transient shaper all the time as well. I have the exciter and mutiband in my template. The plugins themselves are quite useful if you cook from scratch, and can be run with no latency at all. You also get the Tonal Balance plug-in to put on your master output, which is a great way to test how you mix stacks up against the frequency spread of a reference track. The AI literally just applies one of 6 generic presets per instrument type and adjusts it to match a few resonant nodes. It has the potential to be a great way to mix a whole track, but we were baffled as to why solo and mute functions haven’t been added, as this would greatly improve the workflow. Click to expand.Curious why you think you wouldn't use Neutron? If it's about the AI the AI is hardly interesting, but the individual plugins are great.
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